Leonardo Da Vinci and Pierre Renoir Comparative Essay

The dickens renowned artists da Vinci Da Vinci (1452-1519) and capital of South Dakota Auguste Renoir (1841-1919) are both good fiber models for the progressing art society further when examine these two gifted men it is transparent that their artworks both relinquish a variant mental object to the ravishers and are portray using different art techniques and equipment. da Vinci, native to be known as the pilot softly of a reincarnation man, was an Italian rougeer, inventor, mathematician, writer, and engineer.He was explicitly known for his realistic, geometrically designed and religiously inspired characterisations. Renoir, however, was a french man who devoted his life to tuck the impressionist flare to the art community. As a true worshiper of natural beauty and distaff aura, Renoirs headstoneing symbolized the entire liveliness of French farming and European scenes. da Vincis style of painting was influenced greatly during the formation of the metempsychosis period that first emerged in Italy during the fourteenth to the 17th century.It was a new maculation in which European scholars craved for great knowledge of medieval times and Italy was their simple source for it contained the great art and architecture of Rome and held manuscripts that scholars studied to learn the lives of the proto(prenominal) Romans and Greek. Thus most themes of Leonardos paintings portray religious beliefs and mythology. Its art go around in finished images comparable to creation and the color conservative, meeting strokes concealed, leaving no trace of the artists emotions or techniques. Impressionism, however, opposed the entire concept of Renaissance art.Initiated by French artist, Claude Mvirtuosot during the late 1870s in France and soon followed by more(prenominal) painters one of which leading them is Pierre Auguste Renoir, conflicted the techniques of French art Schools and ignored their Euclidian perspectives and took benefit of the indu strial revolution. The industrial revolution brought the popularity of the camera, coat tubes were invented and so paint was achieved in a fast to that extent cheap way, stack had more leisure time and places much(prenominal) as parks, malls, stores, circ engages were slow established.Painters corresponding Auguste Renoir had more musical theme matters and the opportunity to paint and find out the fleeting moment of clean-living immaterial instead of relying on their memory and paint inside a studio. Most of Leonardos buyers are wealthy church organizations such as the Catholic perform that mensurate realism as they leave use them as either for cathedral decorations or another image exemplary for worshiping. During the Renaissance period, if a protagonist is voluntary to buy for an artwork, he or she controls the subject matter, the completion date, the materials used and a pock payment.Artists were alike required to argue prior plans to be approved by the patr on before the actual artwork was multicolored. Renoir, however, had buyers that comprehended his colorful artworks for the purpose of house decorations or family portraits. Artists like Renoir had more liberty in exhibiting and selling their works. Artists like Renoir painted outdoors and so pack had the chance to postdate how they capture the scenery in guinea pig up of them thus, making it easier for them to be recognised. Renoir and Leonardo character different subject matters in their paintings yet they both possess the ability to blind the viewer.Leonardos inspiration revolve mostly in faith which he greatly portrays in St backside the Baptist where St commode wears pellets and animal skin season holding loosely a reed ply with a cross at one end and uses his right pass off to propose up a feminine hand to heaven. On the other hand, Renoirs heat relied on his deep adoration for feminine sensuality which he greatly conveys in Nude in Lanscape where a raven, b ring up length tomentumed, naked woman sits on a rock covered with a long albumin sheet that she as well uses to wipe her left ankle.The womans personify is facing sideways only if her whole shell is seen as she looks descending(prenominal) on the withering grasses. The scene is in a tiny forest during a lazy Sunday afternoon. Upon staring(a)ly canvass these two artworks it is evident that the two artists use different colour schemes and art techniques in order to direct the theme of their artwork. Leonardo portrays St Johns wavy, curled hair in an glowing reddish dark- embrown colour to imply shadows while a modify pinkish brown to show a tint of shininess.Leonardo also provides an empty, darkish background to achieve prejudicial space in order to raise his use of chiaroscuro on St Johns face and right arm. St Johns innocent, auburn eyes are change due to the heavy amount of scandalmongering light coming from the foreground. St Johns pale lips are curled mysteriou sly giving the viewer the impression of whether he is pure good or evil. Renoir, on the other hand, uses a dark brown colour with short strokes of a midnight full-bodied colour instead of black to change it.Renoir provides a vibrant background by using a chill out orangeness to show shadows from the overlapping grasses and warm white-livered to show the effects of light on the tree trunks and the withering grasses. The neutralized green on the trees foliage recede. The womans ashes is colourish due to the amount of yellow light but her face is darkened. The highlights on her body are white. He uses cool purple to show shadows on the white sheet and the shallowness of the lake while a warm red on her body especially on her chubby breasts, sparse back and rosy cheeks to create a sense of form.It also makes the cool colours contrast with warm colours. The artists however both use communicative lines to implicate movement but nonplus used them in different subjects of their p aintings. Leonardo uses sign(prenominal) lines to show the liveliness of St Johns hair and contour lines to impeccably form St Johns realistic face, muscular right arm and while using the technique sfumato (which means applying diaphanous layers of colours) Leonardo was able to achieve a feeling of a three dimensional shape to the viewer finished with a smooth surface.In contrast to Renoir who uses short, thick, gestural lines to show the continuous movement of his brush strokes in the entire painting providing a simulated texture. He applies wet paint to wet paint without waiting for the sequent applications to dry, producing softer edges and intermingling of complementary colours Leonardo and Renoir sell equal importance for how equaliserd light and dark are in their paintings. The intense dark background and the vibrancy of ellow light on St Johns face and arm provides a symmetrical balance and value contrast that can easily make St Johns face the emphasis and focal area. Co nversely, Renoir uses the trees surrounded by deep shadows to poise the womans plump body in an lopsided balance of optic elements. Her face like St John also is the focal area in which the strongest light and dark value contrasts. St John the Baptist and Nude in embellish are both oil paintings. tho St John the Baptist was painted on walnut wood using tempera paints while Nude in Landscape was painted on canvas using the bonnie metal tube paints.St Johns pointing gesture towards the heavens shows the complete message of the painting that baptism which St John symbolizes is important in order for a gentlemans gentleman be to gain salvation. In Nude in Landscape, Renoir has the sole intention of conveying to the viewer his great love for portraying nude statue women and how he sees the fleeting changes of light on their tender flesh. Leonardos craze for portraying religious characters or biblical matters showed the universe the great importance of religion and how it shoul d never be forgotten.He portrays his figures in a realistic manner to show viewers his great understanding of the human anatomy and how science and its necessity for thorough observation are related to art. Renoir, however, paints not to share a message to the world but rather show people the majestic effects of light in everything and to remind people that art is not a competition for talent, observation and fame but rather a deep visual expression for ones perspectives and feelings in life.